Sukkah City

Earlier this week, an old friend and I wandered through Union Square taking in this year's finalists in the Sukkah City architectural competition. For those of you not "in the know," a sukkah is a temporary structure built for the Jewish harvest holiday of Sukkot to commemorate the 40 years the Israelites spent in the desert following their liberation from slavery in Egypt.

There are an elaborate set of talmudic rules in constructing a sukkah. For example, the roof must be made using the leaves or branches of a tree or plant and be sufficiently permeable so that one can see the stars at night. Also, on the stranger end of the spectrum, a whale or living elephant may be used to make the walls. (I laugh, but I've been told it's not much different from the City's Building Code.)

There's been some debate about how kosher this year's finalists actually are, but it's fascinating how much they varied in building materials and design. My favorite, and incidentally the winner of the competition, was "Fractured Bubble" by Queens-based designers Henry Grosman and Babak Bryan. This sukkah was fashioned from phragmites (an invasive marsh grass) and looked like a cross between a Pieter Bruegel painting and, as my friend put it, a really bad hair day.

What I like about the tradition of building sukkahs is the way it acknowledges how we can be both dependent on wilderness and at its mercy. Forty years in the desert doesn't sound like a party, but the Israelites worked with what they had and muddled through with a little help from upstairs (if you go in for that).

Tornadoes Vs. Trees

I would be remiss if I didn't address the immense damage to the urban forest as a result of the two tornadoes that ripped through New York City on Thursday evening. The storm was brief, but devastating. I was astonished at how dark it got and then realized that the streetlights hadn't yet turned on. Then it hailed and everything went white. In the aftermath, thousands of the city's trees are damaged or destroyed. Such loss.

Fairwell and Adieu to You, Fair Spanish Ladies

I blame it on Jaws, but whenever I'm in a body of natural water, my flight response kicks in the second any fish or, let's face it, piece of seaweed comes anywhere near me. I also have an all-consuming fear of suspicious dark objects in the water, which usually turn out to be rocks. Well, it could have been a man-eater.

Despite my Spielberg-induced neurosis, I'm excited to report that, as a part of the effort to restore the Bronx River's ecosystem, the Parks Department's Natural Resources Group (NRG) has reintroduced two types of herring to the river. The alewife and blue herring are diadromous fish, meaning that they live in salt water, but migrate to fresh water to spawn. The Bronx River, New York City's only freshwater river, was prime spawning ground for the herring until access was compromised by the construction of several dams beginning in the 17th Century. (Just think what would happen to Park Slope if subway service was disbanded – adios triple-wide strollers.) The dams are here to stay, but NRG will be implementing fish ladders – which are exactly what they sound like – to allow passage over the dam so the herring can successfully get it on!

"Just when you thought it was safe to go back in the water..."

Draw the Green Curtain

There are few things less appealing than razor wire, but then I suppose that's the point. Razor wire speaks volumes -- it says, "keep out" with sharp edges, but also suggests indifference and uncertainty. Because razor wire is cheap and ugly. It is the manifestation of urban neglect. It's what makes people cross to the other side of the street.

But what happens when nature takes over, enveloping the cruel metal with tangles of green vines, transforming the spiraling razor wire into a trellis? I'm awed by this phenomenon. As we know, the woods have long represented an escape from the complexities and ugliness of urban civilization. To me, the vines are an envoy of the woods, shielding us from the harshest of realities, softening the sharpest of edges.

Justice is a Dish Best Served in the Shade

In my experience, Forestry, though staffed with very burly men (I like to think of them as reverse lumberjacks), doesn't usually bare its political teeth. Fees for damaging the urban canopy are often nominal and give property owners little incentive to go the extra mile to care for street trees. I often daydream about one day ruling the division with an iron fist, extracting my pound of flesh for every maimed or murdered tree. (And yes, in this dream I often don green spandex a la Batman's Poison Ivy.) So you can imagine how thrilled I was to read this morning in The New York Times that the City has thrown the book at the arboricidal maniac wreaking havoc in Prospect Heights. Obviously, my heartfelt condolences go out this disturbed man's family, but I'm pleased to see that Forestry has manned up. Way to go, boys.

The Ruins of New York's Industrial Past

Perhaps due to an overreaction to a recent birthday, lately I've been thinking a lot about decay. As I touched upon in an earlier post, Hollywood has given us our fair share of desolate New York City ruins. But we don't really need Hollywood; we have plenty of real-life examples of urban decay, most notably of the city's industrial past. These are, admittedly, in most cases less cataclysmic than zombie-apocalypse or sudden onset of an ice age, but they can be just as visually striking.

A few years ago, the Times ran a photo essay by Nathan Kensinger that included images of Brooklyn's industrial ruins, including an abandoned powerhouse on the Gowanus Canal known as "The Batcave" (you'll see why) and the infamous Admirals' Row in the Brooklyn Navy Yard. I keep coming back to these photos; they expose the tender underbelly of New York's past -- spaces occupied now only by our city's most destitute.

On my recent visit to Staten Island, my friends and I sought out another industrial ruin: the Ship Graveyard, the site of dozens of scuttled vessels left to rust in the wetlands. Not much is known about the Ship Graveyard, I suspect it's because its the result of illegal dumping. Indeed, to reach the spot, you must pass through the neglected 18th-century Seguine family graveyard and down a steep hill overgrown with phragmites and poison ivy. But it's worth the effort.

Staten Island Ship Graveyard from Alicia West on Vimeo

Hawk and Awe

City Hall, like so many other houses of government, is set within a park. It's a small park, but the significant tree canopy offers relief from the chaos of the city's civil and financial centers. I'm lucky enough to work in the attic of City Hall, which affords me a great view of the park and its inhabitants, which I thought consisted only of squirrels, office workers and nannies. That is, until today, when an enormous hawk landed on our office's AC window unit, scrambled to keep its grip on the metal, and then stared at me and my officemates as we screamed (from shock and delight) and rummaged frantically for a camera before he took off again (to no avail, sorry). I saw him again a few hours later coasting upward over the clock tower. We've named him Stokes in honor of I.N. Phelps Stokes, the author of The Iconography of Manhattan.

While I wait for Stokes' return, I'm obsessed with the live feed of the hawk's nest at Philadelphia's Franklin Institute. After watching the three nestlings nap, stretch and feed, I am trying to figure out how I can make my life a little bit more like theirs.

Title pun courtesy of Alex Hills.